Principal Dancers of The Royal Ballet Sarah Lamb and Alexander Campbell in Within The Golden Hour. Subscribe to our channel and find out more at http://www.roh.org.uk Christopher Wheeldon created Within the Golden Hour for San Francisco Ballet in 2008, as part of their New Works Festival in celebration of the company’s 75th anniversary. Italian minimalist composer Ezio Bosso created the original score for strings, incorporating music by Vivaldi. It was first performed by The Royal Ballet in 2016. Within the Golden Hour is structured into sections, accentuated by Jasper Conran’s designs. Around three central pas de deux, the ballet exhibits [More]
Sarah Lamb as Baroness Mary Vetsera and Steven McRae as Crown Prince Rudolf. Kenneth MacMillan’s Mayerling was filmed and screened live in cinemas on 15 October 2018. Find out more at https://www.roh.org.uk/productions/ma… Mayerling is based on the true story of the deaths of Crown Prince Rudolf and his teenage mistress Mary Vetsera in 1889. This dark and intense ballet was created for The Royal Ballet in 1978 and is regarded by many as among Kenneth MacMillan’s finest works. Orchestrated and arranged by John Lanchbery, the music of Franz Liszt sweeps the story to its intense conclusion, and sumptuous designs by [More]
Royal Ballet Principal Artist Sarah Lamb on performing with Rupert Pennefather and her love for their final Pas de deux. Find out more at http://www.roh.org.uk/manon Kenneth MacMillan began work on Manon shortly after the birth of his only daughter. His source was the 18th-century French novel by Abbé Prévost, already adapted twice for opera by Massenet and Puccini. Renowned dance musician Leighton Lucas and his assistant Hilda Gaunt provided a score made from a patchwork of works by Massenet, including his famous yearning Elégie as the theme for the lovers. The premiere was given on 7 March 1974, the lead roles [More]
Choreographer Christopher Wheeldon, designer Bob Crowley and Royal Ballet Principal Sarah Lamb discuss Act 2 of The Winter’s Tale and introduce us to the character of Perdita. Find out more: http://www.roh.org.uk/productions/the… The Winter’s Tale follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret — and after a statue comes miraculously to life — the ending is one of forgiveness and reconciliation. Wheeldon continues his highly successful collaboration with designer Bob Crowley and composer Joby Talbot, the team behind Alice, in one of the highlights of The [More]